The great whistler of the space-age pop era. Marcellino's strong yet mellifluous whistling was employed to distinctive effect on hit recordings from the theme from The High and the Mighty to Hugo Montenegro's cover of Morricone's theme to The Good, the Bad, and the Ugly. Esquivel used Marcellino on his Stereo Action album, Latin-esque and was struck by his very precise pitch. If you hear whistling featured on a Hollywood studio recording from the 1950s or 1960s, chances are, you're hearing Muzzy Marcellino.

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