Pianist and composer Tiago Sousa has become, in the last six or seven years, one of the most interesting and intriguing Portuguese musicians. Having been the main force behind pioneering local netlabel Merzbau, Tiago’s first solo release, Crepúsculo (2006) paved the way for an intuitive approach to composition whose evolution was dazzling: after Noite/Nuit (2007), a collaboration effort with French artist Sandra Reignoux, The Western Lands (2008), composed after William S.

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